Thursday 26 May 2016

Poetry Blog No 159 This Night on our Domestic Screen


THIS NIGHT ON OUR DOMESTIC SCREEN



 
In many respects the human capacity for complex thought is a wonderful faculty that enables us to make sense of our experiences of the universe. However, it can also lead to a certain blindness, especially when ideas that are convenient in certain respects are taken as some sort of reality.
For instance, maps of all sorts are convenient but many of the things on maps like the lines for borders between countries don't actually exit except in people's minds. Politics and economics are two areas where ideas are often mistaken for reality and truth is a rare commodity. 








 

THIS NIGHT ON OUR DOMESTIC SCREEN


This night on our domestic screen
a simulacrum of a man
sheds withered, drifting words upon
politic policy. They seem
like drying leaves on desert wind.
For years I have been exiled from
prosperity or even pay.

And faith grows thin.

I step outside. The air
is clear and cool in summer darkness.
Here, far from urban glare,
galactic opalescence sheens
the scattered silver of the stars.
Our minds make maps. See over there
are five, bright stars... how hard it is to see
those five, bright suns and not the mental bars
we call the southern cross.

The constellations have real stars but not
the arbitrary lines of mind's convenient gestalt.
And nations have real people not
percentages and abstract, common aims.

Dry words from dry souls hungering for fame
these are
less real than lines from star to star.

Saturday 21 May 2016

Poetry Blog No 158 To a Liquid Amber Tree




TO A LIQUID AMBER TREE





This poem is somewhat in the form of an ode as used by the English Romantics. That is to say it is in a regular stanza form and starts with a specific object or set of images and evolves from them to a more general feeling-filled philosophic tone.

Each line is an Iambic pentameter- 5 times unstressed, stressed syllables (Through summer rain and sun your season's worth), that is the same as Shakespeare's Sonnets and plays and the odes of Keats. There are 10 lines in each stanza with a rhyming scheme ABAB CDCD EE. This means that as well as the overall arc of the development and meaning of the poem there is also a smaller development in each stanza. The first four lines introduce some meanings and images, the next four develop them and the final last two rhyming lines come to a sort of "conclusion".

The subject of the poem could be called in a general way "time", especially as it lives in human experience.
PS The Liquid Amber Tree is also known as American Sweetgum.





TO A LIQUID AMBER TREE



Through summer rain and sun your season's worth

Was in the flourishing of green life, bringing

Leaf-mantle's shade, rich on the morning earth,

Wide-fingered branches sheltering the singing,

Light-winged inhabitants of air. But since

Eternal time soft-turns till autumn's caught

The dawning sun in misty breath that hints

At grey-eyed winter's sharp and frosty thought

You have transformed your sun-born plenitude

To constellations of wild stars, flame-hued.



As golden as a harvest moon arising

Through eastern night's autumnal, misty skies,

As yellow as a candle flame aspiring

To cheer with single light night-wintered eyes,

As red as soon-descending solar face

Farewelling day through scattered westward cloud,

Are these your leaves, still hanging in their place,

But changing to a multi-coloured crowd.

Like youthful memories made jewels by years,

Soon shed as silently as secret tears.



Such is the raiment of the days, once green

With expectations of arising powers:

A prospect of accomplishment that's seen

To fade to golden failings with the hours

That flee in multitudes as fleeting days

And pass too swiftly through the flying years.

Forever to the future passing, plays

Hard time's relentless march, and in our ears

All that once was of hope and purposed reason

Is melody now lost in fading's season.



The gold-red leaves are shed and flutter down,

Lie brittle now before the winter's birth;

And from remembered glory die to brown,

And vanish in the all-absorbing earth.

Bare branches are a skeleton of tree,

The seeming death of life's green flame, imploring

Repeal of winter's temporal decree,

And trembling in the freezing wind's rough warring.

And in the season of the early frost

The memory of bursting life seems lost.



But deep is life and time has phoenix wings,

And every dying is a being born,

And all that's lost is secret gain and brings,

Like night, a never-lived-before, new dawn.

So winters bring new buds of spring, allow

The sole bird of the fire-death to soar,

Declaring life in ever-fuller power,

Its new-born glory greater than before...

And thus in time time's endless purpose shows;

And thus in time time's tree forever grows.





Tuesday 17 May 2016

Poetry Blog No 157 Five Autumn Haiku


FIVE AUTUMN HAIKU (Northern NSW Australia Southern Hemisphere)

Some notes on local images-

Eucalypts- Eucalyptus trees, in the myrtle family, Myrtaceae, are commonly known in Australia as gum trees. There are over 700 species in Australia.

Farmer's Friend -Bidens pilosa is a species of flowering plant in the aster family. It is native to the Americas but it is known widely as an introduced species of other regions, including Eurasia, Africa, Australia, and the Pacific Islands. It is a tall branched weed with thin yellow flowers that develop into a cluster of barbed seeds. - From Wikipedia. It gets its ironic common name from the annoying habit of covering your trousers with its barbed seeds.

Magpie - This is the Australian magpie. The Australian magpie (Cracticus tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates
from Wikipedia.

Moon - There is (as it were ) a southern hemisphere "moon". From Google search- The Moon orbits near the equator of the Earth. People in different hemispheres see the moon in a slightly different way. In the Southern Hemisphere, people see the moon 'upside down' so the side which is shining (sunlit) seems the opposite from the Northern Hemisphere.




FIVE AUTUMN HAIKU
(Northern NSW Australia Southern Hemisphere)







one

High bright clusters on
Eucalypts. Leaves green-gold
On May blue vastness.




two

"Farmer's Friend." Weed's white
Five petals in autumn flower.
Unwanted beauty.




three

Black and white, well-dressed
Investigator of mown ground.
Magpie on the grass.





four

Bamboo leaves tremble,
Shimmering in May sun and
Soft breath of far blue.




five

Pale half moon in warm
Autumn afternoon. Later
Brighter in cold night.

Thursday 12 May 2016

Mark Scrivener Poetry Blog No 156 Five Summer Haiku


FIVE SUMMER HAIKU

"A haiku in English is a very short poem in the English language, following to a greater or lesser extent the form and style of the Japanese haiku. A typical haiku is a three-line observation about a fleeting moment involving nature...a three-line format with 17 syllables arranged in a 5–7–5 pattern or about 10 to 14 syllables, which more nearly approximates the duration of a Japanese haiku with the second line usually the longest." From Wikipedia

In addition, capturing this moment in few words discourages the use of abstract or vague language, particularly as the haiku was not intended to be the expression of a merely abstract or philosophic "truth." These five haiku were moments from the summer season.





FIVE SUMMER HAIKU







One



In leaves and grass, brave

Zinnia you alone have

Raised a red flower.








Two



Mowing summer-high

Lawn reduces to ruins

Empires of ants.









Three



Clouds grey summer dusk.

Magpie, what is it you cry

To the fading sky?







Four


January mist.

Through thin veils pale stars peer at

Dew on earth's darkness.








Five



Dawn zephyr with just

A touch of chillness whispers

Summer is passing.



Monday 9 May 2016

Poetry Blog No 155 Chinese Poem


CHINESE POEM 





 
This "free" form poem is based on iambic "feet" (2 syllables unstressed, stressed) with lines of varied length (from 2 to 5 feet) apart from the last two lines that start on a stressed syllable (trochaic). The term Chinese Poem indicates its relationship in feeling and form to some English translations of Chinese poetry. Every poem bears some relationship to all the other poems ever written. Everything works in relationship to some tradition, even if it is reacting against a tradition. This poem is looking at a real view through the "lens" or perception of the tradition of Chinese poems in translation and uses this as part of the poem itself.






CHINESE POEM

"But who so wise as to embark in search of Lan Li,
Solitary in the mist and water of the Five Lakes,
forgetful of the world?"
- WEN T'ING-YUN, At the Ferry South of Lin-chou.

The early morning view's revealed
like silken Chinese painting now-
its hues subdued,
sky misted by light cloud,
lake water tranquil,
and scarcely touched by a moving detail:
a fishing boat or ferry faraway.
All trees are still,
each difference of green
brings gentle contrasts, subtly outlining
the forms of foliage upon the island;
while further away
the plateau's low hills
are blue-grayed
to lighter tones.
An occasional
black water-bird's wings
are silhouetted by the flash
and sparkle of bright ripples.

And strange to read, just now,
a poem from past time,
and glance up, seeing its serenity-
nature's early morning
Chinese calm.

Friday 6 May 2016

Poetry Blog No 154 Everything is Winter


EVERYTHING IS WINTER

 

 

 

 








It is sometimes supposed that the use of metaphor in poetry is merely a "decoration" and even that poetry itself is largely pretension. I would argue however that without the use of metaphor many things could hardly be expressed at all. This is particularly true of our inner life. In this poem the metaphor of winter expresses an inner sate. In a poem with a fairly "free" form such as this the line lengths and ends are not merely arbitrary but are used as part of the form for emphasis and stress on images and meanings. This is because a line should correspond to an actual physical aspect of recitation, namely the taking of a new breath. 





 

EVERYTHING IS WINTER




                  With us


everything is winter.

We feel its steel,

the core of flint.



Because

our aspiration is to measure,

to set things hard and sharp forever

and only think that real,

everything is winter

with us.



Because

we see all striving valid only

when counted out in payment and return;

because we cash the heart,

everything is winter

with us.



Because

we firstly calculate the cost;

because we stamp the state upon

neglect of others;

because we praise the greedy,

because we give all power to Mammon,

because we say

that that must be the way,

everything is winter

with us.



Because

we do not light the heart,

because we look

on knowledge coldly,

because we are not warm enough,

everything is winter

with us.



For us the force is just destruction;

we let the evil creep on in

on silent feet of frost

and pardon it as practical.

And this will be our end,

and this will be our greatest sin-

that for us

everything is winter.





reading with famous winter paintings